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...This piece is part a sculptural object, and part a performance work. A Calchaquí loom was used to knit a long piece of textile were electronic components to play and record sounds were embedded into. Spectators of the performance were invited to sit next the artist and...

... capacity is, the less the light is lit or even only flickers. The electric, peeping MARS bags (1998) were designed for a performance. Peter Weibel comments on the MARS bags as anti-theft art object. The MARS table, a sensor-controlled sounding plateau...

... on-line participants with participants at a real physical location. Participants take part in a networked real-time performance for a live Virtual Studio production, from a home PC, an Internet cafe, or as digital nomads with cell phones and...

... downtown Berlin along the infamous "death strip" where the Wall was impassable. In this temporary mental space, a kind of performance will take place at the table between the visitors. This is how the idea of a Thinking Space was born. The image of the...

... (SWF) in 1995, Fleischmann and Strauss conceive a broadcast with audience participation. With their teams they realize the performance and the corresponding digital set design for the virtual stage. For the live production of the show, the signals from the...

... to read and react to these images and texts in an improvisational manner, leading to similarly abstracted, experimental live performances. Participating performers: Hashem Aly, Yvonne Buchheim, Bahaa El-Ansary, Omar El-Deeb, Ahmed Safi El Din, Mahmoud El...

...lpture that evolves transforms and even regresses. An artwork that falls somewhere in between conventional notions of pictorial art and performance. “Arabesque” as its roots in Mary Shelly’s “Frankenstein” (1818) and the alchemist’s laboratory, this kinetic sculpture...

... are engaged in their daily creative craft-making activities. Visitors can freely move their gazes anywhere in the live performance space, whose unedited real-time narration converges with the real-time engagement of the viewer. A key feature of...

...Marcello Mercado Self-portrait 2005 Documentation of on-line performance/ Biographie 16:9, 7min. 17", Farbe, stereo, 2005

...Marcello Mercado Live streamings from Dolmens, 2011 HD single channel video, 17min 35sec stereo 16:9 black/white/colour DNA-performance-installation- soundart (LIVE) 19/06/11 14:17 PM Dolmen2: 54° 44´23.99" N 11° 47´23.36" E elev. 4m http://vimeo.com/25919129