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Immersive audio-visual animation 'facades' is an audio-visual animation, conceived for performance in a fulldome. Fulldomes are immersive, dome-based projection environments, which – as an interface – allow full and multimodal integration of the

Dynamic video installation [English title, Against Time] After the piece 'In between' (1999), 'Gegen die Zeit' is another installation for the secularized Johanneskirche in Feldkirch. The video projection depicts a female arm holding either a brush

Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to

Videotape [English title, The dancing and the dead] If YOU, yes YOU, the one I'm addressing, have already photographed corpses and the pried-open skull, that is even now beautiful picturedance of the corpseshots (the camera is moved) a dancer

Video sculpture English title, [Suitcase, 1993] A video is projected into a suitcase. The source image is the well-known photo depicting Anna and Sigmund Freud in 1938, looking out of a train window on the occasion of their emigration. Layerings,

Video Videotape for one screen, 60 min., sound By using the own body as interface, the video work montréal2000 (created in the year 2000) gives continuity to the artistic strategy of implementing new forms of perception by intertwining real and

“Matrix XII Krems” connects the new State Gallery of Lower Austria and the Kunsthalle Krems in a vast space below ground. The individual lights are arranged in a strict square grid on a slanted plane and delineate the border between emptiness and

Electronic Visual Music Work TRT: 1:17 Directed and Animated by Victor Acevedo Music by Igor Amokian (Chris Holland) video © 2021 Victor Acevedo music © 2021 Chris Holland Victor: Orbic Field is a ‘prequel’ to my piece called Orbital Remix which

The formal visual aspect of the Reflections v2 series is strongly tied to the aesthetic of Minimal Art. It reduces its abstract vocabulary to visual representations of the number one and zero sculpted as lines (one) and rings (zero). This reduction

The current quarrel between neuroscientists and moral philosophers about whether there is a free will or only a surrogate thereof provided by the subconscious cannot be settled easily. Instead Elke Reinhuber offers to see for yourself in her work