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Die Tanzen und die Toten
1983
-
1983
video
Videotape [English title, The dancing and the dead] If YOU, yes YOU, the one I'm addressing, have already photographed corpses and the pried-open skull, that is even now beautiful picturedance of the corpseshots (the camera is moved) a dancer
Universusmulti
1984
-
1984
video
It records choreographies of moving bodies in real space, generating drawings on the electronic screen by different groupings of moving figures. The scenes are recorded by cameras in shots from above and at a distance, transforming the moving bodies
Water Catalogue Linear Video
1984
-
1984
video
... A Bill Seaman Production in association with The Contemporary
Art
Television (CAT) Fund. A project of The Institute of Contemporary...
Plüschlove
1984
-
1984
video
Videotape [English title, Plush love] Love scenes from two movie classics are rasterized, overdrawn, overstretched and squeezed, slowed down and accelerated by the computer. 'Plüschlove' is a montage of real, digitized (i.e. computer-generated) and
Narrative Landscape
1985
-
1995
video
... metaphor is one of emblematic places whose typologies are
art
iculated in the fate of its denizens. The spoken texts, written by...
Telling Motions
1985
-
1986
video
... could be translated by this cypher system into a new work of
art
.
Water Wheel
1985
-
1985
video
Water Wheel(1985), a seven channel installation presented through a circle of monitors, incorporating material from The Water Catalogue Music by Bill Seaman In Water Wheel I was exploring fragments from the linear work The Water Catalogue. A
Das Mu-Rätsel
1985
-
1985
video
... by Hubsi Kramar, shown in the Schauspielhaus Graz as p
art
of the steirischer herbst and in the Schauspielhaus in Vienna. The...
Anamorphoses of Memory
1986
video
...For the exhibition 'Kunst Over de Vloer'
art
ists were invited to create works in the rooms of a private ap
art
ment building. Anamorphoses of...
Going to the He
art
of the Center of The Garden of Delights
1986
video
... image and its underlying digital structure was
art
iculated in the transformations of a frame from Oshima's film...
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