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Reel Success Stories: Lynn Hershman Leeson Wednesday, November 12, 2008 Presented by Bay Area Women in Film & Media An intimate discussion with local award-winning filmmaker and artist Lynn Hershman Leeson. A pioneer of the use of interactive

Reel Success Stories: Lynn Hershman Leeson Wednesday, November 12, 2008 Presented by Bay Area Women in Film & Media An intimate discussion with local award-winning filmmaker and artist Lynn Hershman Leeson. A pioneer of the use of interactive

A predecessor of Lynn Hershman Leeson's influential “Roberta Breitmore” series, “Self Portrait as Another Person” features a wax cast of the artist's face that was made in 1966. Characteristic of similar pieces created by the artist in this period,

A 7-minute, single-channel digital videopoem (edition of 5). This work takes language into a domain of trance where the subtle dissolution and reconfiguration of verbal particles is charged with a feeling that is at once calm and tense.

The procedure consists of reading the current images from television with a hand scanner and then directly sent these images transformed by a fax/modem card (or hard copy). In this way the image movement is decomposed and we have a

Long wave is a site specific installation that was commissioned by Luminato, Toronto Festival of Arts + Creativity and was on view at the Allen Lambert Galleria, Brookfield Place, Toronto, June 5 - 20, 2009. It is a 380 foot long, 60 foot high

Dark Matter: The darkened gallery space is dominated by an invisible sculpture of silent sound. Your body probes the space listening for the sculpture's spatial form to be expressed though the sounds of your contact with its immaterial presence.

"Cloud" is a monumental kinetic installation hanging suspended in the Great Hall at the Ontario Science Centre. One hundred identical sculptural elements, arranged in ten by ten grid, are rotated at slightly differing speeds by computer-controlled

Générique d’une série sur la création vidéo. La machine à produire de l’image, entre négation et extension de l’humaine condition.

Preliminary documentation of "Through the Vanishing Point" by David Rokeby and Lewis Kaye. The exhibition was presented at the University of Toronto’s McLuhan Program in Culture and Technology (commonly known as the Coach House) for the