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  • ... and the related iconography of fruit is chosen for all of its associative values in an imaginary space where Archimboldo and...
  • ... a few frames, constituting momentary retinal impressions that assimilate in time into an insubstantial yet coherent multiformity....
  • ... recorded by Harry de Wit for this work. Each sound track was assigned to a specific position on the screen, and the volume of each...
  • ... 2, 4 and 8 meters per frame depending on location). The tracks assure unrivaled stability and match-cuts. One intention was to...
  • ... to access their world. Mullican uses six colours, each assigned to one of the five levels, to illustrate these models: ...
  • ... time of the Industrial Revolution. Images of factories, mines, assembly lines, production facilities and related administration...
  • ... instead of the similarity of structure. Bodies are often assumed to be the repetition of the cells and societies as the...
  • ... fighting fish move toward humans, presumably because they associate humans with food. Still, these are robots under fish control...
  • ... the six television sets conducting the participant to several associations of the sequences. On the biggest television set a record...
  • ... and sounds. In his bodily displacements and memory games, an associative plot places him in a climate between the real and the...