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Made in China: Return of the Soul is a 90 minute dance-theater adaptation and revisioning of Tang Xianzu's Peony Pavilion, one of the most famous plays in all of classical Chinese literature and drama. The story of Du Liniang, the 16 year old

A China of Many SensesArtist: Bill SeamanComment:

On the Road is a unique, annual project initiated in 2014 by the Guan Shanyue Art Museum, Shenzhen, here seen in its 2018 version. The process involves 15 curators, art critics and scholars, from major institutions, art schools and museums

NOMINATION EXHIBITION with the contribution of 15 NOMINATORS, nominating 102 YOUNG CHINESE MEDIA ARTISTS that became part of ON THE ROAD Archive. 32 MEDIA ART INSTALLATIONS Guan Shanyue exhibition. Guan Shanyue Museum Shenzhen Co-organised by the

The handscroll Pacifying the South China Sea chronicles the suppression of piracy by the forces of the Jiaqing Emperor (r. 1796–1820). The scroll illustrates the events of the period in twenty different scenes, each abundant with detail depicting

The Great Wall of China is conceived for simultaneous realisation across media, including a Website (1995-96), a CD-ROM with portfolio of prints (1997-99) and an interactive installation (1999). The foundation of The Great Wall of China is a

X is not the new Y, 2011 Electronic paper screens, arduino processor, battery, circuit board 16.5 x 8.6 x 1.8 cm Ed 4/100 + 3AP Over 500,000 combinations of proper names, companies and cities are presented as random inequalities.

The animation derives from the chinoiserie style frescos on the Hillside Palace of Pillnitz Castle. Fragments of these appear on revolving globes, like heavenly spheres. The three globes allude to the science fiction trilogy Trisolaris by Cixin Liu.

The source material for this interactive installation is the Pacifying the South China Sea handscroll, painted by an anonymous Qing painter almost two hundred years ago. The scroll chronicles the story of how the forces of the Jiaqing Emperor

Dynamic video projection 'Territorism II' was conceived in 2005 as an indoor version of the video projection 'Territorism' at the Kunsthaus Bregenz (2002). It was shown for the first time as part of the exhibition In the line of flight in the China