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M3 (TGarden)
2001
TGarden is a responsive media environment in which small groups of participants from the general public influenced and played with real-time-generated sound and image through improvised movement and gesture. Visitors to the environment —which
M2
1998
video
Overall, the event is cyclical; however, the groups spend variable amounts of time going through the chambers. The immersion room is the only area of the environment where visitors are allotted a fixed time. Also, each group of spectators contains
Occupy Wall Screens
2012
Streaming Museum, an international public art and online museum, will celebrate its fourth anniversary on January 31 with the US premiere of “Emotion Forecast” and “Occupy Wall Screens,” real-time artworks by the renowned French artist Maurice
Tunnels Around the World
2012
video
Long time no dig… Seventeen years after the first virtual tunnel: The Tunnel under the Atlantic (1995), linking the Pompidou Centre in Paris and the Museum of Contemporary Art in Montreal, and fifteen years after the Paris New Delhi Tunnel, now is
Face to Facebook - Hacking Monopolism Trilogy
2011
video
... men scrutinize faces in
porn
ographic imagery because a...
Ten Thounsand Cents
2008
"Ten Thousand Cents" is a digital artwork that creates a representation of a $100 bill. Using a custom drawing tool, thousands of individuals working in isolation from one another painted a tiny part of the bill without knowledge of the overall
Memopol-II
2011
Memopol-2 is a social machine that maps the visitor’s information field. When an identification document such as a national ID card or a passport is inserted into it, the machine starts collecting information about the visitor from (inter)national
Media Bubble
2008
video
Media bubble doesn’t blow up without a consumer, the installation doesn’t work without the visitor. To make the media field buzzing, to create scandals and little stars, one has to move oneself. You have to type in c**.com or order newyorktimes, you
Exploded Views 2.0
2013
-
2013
Exploded_Views 2.0 by Marnix de Nijs is a masterpiece. No doubt about it. It is the most beautiful work of interactive media art I have ever seen. But its most peculiar aspect is that neither its beauty nor its meaning reside in the interactivity of
Meta.Morf 2010
2010
-
2010
video
Interview with Roy Ascott. Meta.Morf 2010: New.Brave.World! Trondheim, Norway November 2010
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