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SCHWELLE: Schwarz Raum
2003
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2004
Four participants enter into a small, closed off, pitch black dark room. The room houses a large architectural construction: 4, 1 x 6 meter long tunnels outfitted with a series of taught, fabric muslin screens. The rear screen is solid while the
The Neighbour
2009
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2009
"The neighbour, neither friend nor enemy, is the one who may not be in your "network", but is nevertheless in your world." (Sukumaran) This ambitious project is Sukumaran's first major one-person exhibition in the UK. In The Neighbour, two
Murmurscape #1 (Montreal) (lower resolution excerpt)
2010
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2010
For his 2007 work Machine for Taking Time (boul. St-Laurent), David Rokeby recorded thousands of images of the city of Montreal from identical points of view every day for a year. In Murmurscape (Montreal), letter-shaped fragments excised from this
Murmurscape #2 (Montreal) (lower resolution excerpt)
2010
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2010
For my 2007 work Machine for Taking Time (boul. St-Laurent), I recorded thousands of images of the city of Montreal from identical points of view every day for a year. In Murmurscape (Montreal), letter-shaped fragments excised from this archive of
Plot against Time #1 (lower resolution excerpt)
2007
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2007
"Plot Against Time #1" captures the traces of pigeons and pedestrians on Venice's Piazza San Marco. Each moving thing etches itself across the surface of the image in a golden hue which fades as time passes through a ruddy brown to pure black before
Plot Against Time #2 (Flurry)
2008
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2008
The second in the series, "Plot Against Time #2 (flurry)", tracks individual snowflakes whirling in the complex turbulence created by the rigorous and minimal forms of Mies van der Rohe's Toronto Dominion Centre skyscrapers and the Al McWilliams
CODeDOC II exhibition
2003
CURATORIAL STATEMENT:Many of the prominent international practitioners in the field of software art could not participate in the first version of CODeDOC since the Whitney Museum is, by its mission, devoted to American artists (citizens and artists
Bodypaint
2018
video
... pigments, which find their form in
pictures
que expressions, do not stand alone....
To Be Is To Get Cut (Piki Piki)
2019
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2019
In To Be Is To Get Cut, I consider the sociopolitical structures and behaviors that are otherwise hard to realize from inside the microcosm of society. To do that, I use digital media. That allows me to create a self-sustained ecosystem that exists
Navigating and Negotiating Sound Architectures of the Night
2016
Overview The Work "Navigating and Negotiating Sound Architectures of the Night" is a major evocative multi-media black box theatre work. Its hybrid form includes 3d architectonic models that are both virtual and physical; digital video; a generative
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