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the moment
2005
-
2005
... by Doug Aitken, capturing the acute sense of disorientation experienced on waking in an unfamiliar place. (Source:
htt
p://www.hayward.org.uk/decon_newsite/press_archive_detail.asp?s=21&i=239)
Plasm: Not a Crime
1998
-
1998
... on with this piece, yet on the other hand the penalty, a national felony, is forcing us to be very cautious. (source:
htt
p://www.aec.at/en/archives/prix_archive/prix_projekt.asp?iProjectID=2496#)
je suis (un readymade)
1990
-
1990
... not do harm. Responsible use of appropriation is the position advocated in the piece "je suis (un readymade)". (source:
htt
p://www.aec.at/de/archives/prix_archive/prix_projekt.asp?iProjectID=10764)
egaku
2002
-
2003
... egaku allows users to overlay multiple digital translucent images to compose and compare different designs. (Source:
htt
p://tangible.media.mit.edu/projects/egaku/)
Reflexions
1983
-
1984
video
... would move around you in addition to responding to your movement. Reflexions always had a visual component. (source:
htt
p://homepage.mac.com/davidrokeby/reflex.html)
ECHOHCE
2004
-
2004
... and nonpercussive instruments Saskia von Klitzing, dr. Volker Kamp, b. David Link, text generators (source:
htt
p://alpha60.de)
Unconscious Environment
1999
-
1999
... constructed in two spaces beyond the screen. The work focused on the subjective nature of language and perception. (source:
htt
p://www.grahamnicholls.com/)
LAM
2001
-
2001
... passed form one system to another. The combinations often created impressions that seemd beyond coincidence. (source:
htt
p://www.grahamnicholls.com/)
In Real Time
2001
... is a mesmerizing blend of reality and fiction, delivered in a form unlike anything else in contemporary art. (source:
htt
p://www.medienkunstnetz.de/works/in-real-time/)
Very Nervous System
1986
-
1990
... in. He is interested in creating a complex and resonant relationship between the interactor and the system. (source:
htt
p://homepage.mac.com/davidrokeby/vns.html)
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