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Three Pavilions
1971
Three inflatable pavilions, each having a specific function, were specially commissioned for Sonsbeek buiten de perken. Besides the Information Pavilion, an air supported semi-sphere covered with sythetic grass, and the Video Studio, a tensile
Homage to Bladen
1971
Inflatable replica of an exhibited sculpture by Ronald Bladen - this one the visitors could play with.
Aqua-Airground
1972
A large air-inflated cushion partially filled with air and water, which passers by could play on. The continuously splashing water inside this structure gave the work an idiosyncratic acustic quality.
Centipede
1972
An inflatable centipede whose 100 feet were provided for by the people who carried it through the streets. During the Moomba festival it was also floated on the Yarra river in Melbourne.
More&Less
1972
An installation in two rooms. One was filled with an inflatable structure that was slightly smaller than the room - visitors had to squeeze between it and the walls. In the other room the structure was larger than the room and so covered all its
Rainbow
1972
A large rainbow coloured inflatable arch from which a fine spray of water fell, creating real rainbows.
Projections
1973
A series of photographic prints on linen: a table cloth showing the image of a dinner serving , a window curtain showing the image of a venetian blind, a sheet hanging on a line showing the image of bedsheets hanging to dry, a dress showing the
Diadrama
1974
The Diadrama was an audio-visual performance with over 2000 slides being projected onto a large wide screen by three pairs of synchronised slide projectors. The main themes explored in this work were panoramic methods of representation, the collage
Staircase
1974
A sequence of photographs was taken of people using the central staircase in the Stedelijk Museum. This scene was then virtually re-constructed by projecting these images full-scale onto two contiguous projection screens - one hanging vertically on
Viewpoint
1975
video
This work created a collage of fictional events within a museum space by making projected images of the events appear contiguous with the real space and actual situations. The work was constituted by two structural elements: a large projection
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