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The installation ensemble, «The Edison Effect» connects the Ages of Mechanical, Electronic, and Digital Audio-Technologies. Different interactive systems probe the acoustic inscriptions of vinyl discs, and other objects, with the help of laser beams

A tomb made of cardboard packing boxes. Inside, a primate-lab cage and a mechanism. That moves a computer controlled monkey's paw and a light source that slowly draw the face of Jim Pomeroy (1946-1992) in phosphorescent pigment.

Flames, suitably modulated by electric fields, can be made to act as omnidirectional loudspeakers of surprising loudness and clarity. Each flame, captive within its cage, recites the words of a famous orator 1935-1936.

Based on a hydraulic microphone and spark gap transmitter devised by Q.Majorana and G. Vanni in 1905. A stream of vitriolic acid, modulated by sound waves, controlled the flow of electricity to the transmitter and used to make the very first long

Live dance performance with realtime interactive 3D virtual world as stage set. The dance performance "In the Land of Babari-an" is an inner journey in which the dancers, Shinichi Iova-Koga and Ishide Takuya, incorporate their own East/West

Lecture

Robotics Research

This interactive installation generates traces of two participants' eye tracking. The participants experience an almost "haptic" kind of communication based on their own visualized eye tracking. In this process, their organic eye trace construct

"Simultaneous Echos" is the most recent production of the series "Field-works," compositing video images and locational data captured by GPS, production was made in Londonderry, Northern Ireland, UK. The project is focused onto music production