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The work uses remote visual sensing techniques to track the viewer. The position of the viewer in front of the image controls the activity of the figures across the bottom of the screens. The figures are all independently interactive, and are

From its beginning in 1990, Blast has set out to explore contemporary texts and images and their accompanying practices of reading, viewing, and authoring. Blast has conducted these explorations in terms of a publication, investigating the changing

... area. "The border," notes Crandall, "is usually... who is seeing and who is being seen in this disorienting...

Digital video 5 mins 36 secs colour, stereo sound by Hans Peter Kuhn Inspired by the poem of the same name, Voices is a visual evocation of Paul Celan's poem of Jewish experience within a concentration camp. Voices from the nettleway

... viewers actions control not only the behaviour of the...

"Part soft-core pornography, part political allegory and part Modernist play with media," Jordan Crandall's Trigger is a "sermon about masculinity, sex, surveillance, and violence." (Ken Johnson, The New York Times, 15 Nov 2002). "The work

... software is constantly being developed and incorporated...

Sym-Ulations allows participants to explore the asymmetry of their own faces.It also allows them to use their own face to create humorous impossible faces. User Interaction: The user holds a "Setup" button and sees a mirror image of his face

... static then they see nothing, are left in total...

... technologies are not only media of control; they...