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  • Telecommunications event between Rio de Janeiro and São Paulo uniting fax and live TV, 1988. Connecting the public medium of television with the private medium of the fax this work created a system of feedback based on the continuous exchange and
  • IS THERE ANY ROOM FOR ME HERE? "This black-and-white video is based around the image of a sparsely furnished apartment at nighttime, using light and shade effects - of a subtlety and delicacy that recalls the brush strokes in a Chinese ink drawing -
  • Videoschwelle -
    Video installation in public space In the context of the project Freizone Dorotheergasse (Wiener Festwochen and Galerie Metropol), Vienna (AT) In co-production with Gudrun Bielz The work 'Videoschwelle' was conceptualized as part of an exhibition in
  • Stupid Robot -
    Designed to annoy, reminiscent of a legless beggar, Stupid Robot shakes a can of metal parts noisily when approached.
  • Echoing Narcissus -
    Echoing Narcissus is an interactive sound-sculpture in the form of a well, covered in copper sheet and printed circuit boards. It is a re-telling of Ovid's myth of Narcissus and Echo. All sounds made in the proximity of the sculpture are
  • Heaven’s Gate is a video installation that was first shown in the stairwell of Felix Meritis in Amsterdam. In other venues the work usually occupies a specially constructed tall, dark room. The video image is projected high up onto a 3m x 4m screen
  • Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Ectoplasmic Kitchen v1 from 1987 was Acevedo’s first
  • Traumliege -
    Video sculpture [English title, Dream bed] INSTANT body, INSTANT coitus, INSTANT dreams The fast-paced images are freeze-dried, the fast-paced dreams static, the people coded, the codes interchangeable. Porn is the dream of de-sensualized sexuality,
  • ART + COM - An Interdisciplinary Media Laboratory in West Berlin (1987 - 1993 - the time when the artists Fleischmann and Strauss were a part of it) How did it all start? In the mid-1980s, few people thought that everyone would have a computer in
  • For the exhibition 'Kunst Over de Vloer' artists were invited to create works in the rooms of a private apartment building. Anamorphoses of Memory was located in a sparse and untidy student's bedroom. A monitor was placed on a mattress on the floor