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Light/Depth
1993
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1995
A public art for skaters. A sculpture done in collaboration with MATSUO Haruyuki,which skateboarders can skate on. The desire to have an art work for skaters, this sculpture was made as a public art even though it was my first work. Reproduced in
Over the Rainbow
1994
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1994
7Computers linked seven huge swings (5m high) for adults. Each swings are illuminated by seven differnt colours when their angles are all differnt (almost impossible though). A work made to represent " cooperation through non-cooperation".
Visions of Hildegard, C
2000
en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
Photogenetics
1995
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1995
Photo+Genetics=Photogenetics. A project done as a workshop of The Metropolitan Museum of Photography, Tokyo. The theme of this project is "Morphing". By compounding the elements of two faces selected from people who came to the workshop, you can
World System
1995
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1995
The theme of this project is "re-design for telephone". Winner of Japan Art Scholorship. This is a model of a flying TV-telephone which by itself float to find and link to other people (just like WWW). An idea "What if the original telephone
Mega Diary
1995
Open Diary project to understand the unrelated person. This is a project which opens many people's everyday lives to the public through computer networking. Participants write down diaries on a bulletin board on internet for 100 days. This
Electronic Cemetery
1996
Tomb on the Network. A project for a magazine "BRUTUS". A work as a curator of a imaginary museum. Actual museums are sometimes said to be cemeteries for art works, well then, what if I make a cemetery into a museum? Actual cemeteries always
Seeing is believing
1996
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2000
The installation to see the invisible. An installation for a one-man exhibition at Hiroshima City Museum of Contemporary Art,Japan. "Seeing is Believing" consists of three works. "Empty Entity" infrared ray electric light display, "Sheep"
Canticle to the Sun IV
1996
32. Canticle to the Sun IV, 1996 20" by 15"" Pen plotted drawing. In 1966 the artist painted a large eight-foot by four-foot wooden panel as a "Canticle to the Sun". That work, celebrating the sun, incorporated text from the sun canticle
Vanishing Body
1997
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1997
A work to lead spectator to a position of a performer. An installation for an exhibition "De-Genderism" at Setagaya Museum, Japan. When you enter the semicircle room (devided into two rooms by a screen), you are asked whether to enter with your
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