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As the work “Unformed Symbols” (2006), the work “Unformed Symbols: Another Side” (2008) recreates a card game, but this time as if it were seen from the reverse side, with only the plain backs of cards visible. Real cards and projected images of

THE MANCHESTER ILLUMINATED UNIVERSAL TURING MACHINE by Roman Verostko, 1998 The Project: A family of algorithmic pen plotted drawings, each presented with the binary text for a Universal Turing Machine (UTM), was created for an exhibition in

THE MANCHESTER ILLUMINATED UNIVERSAL TURING MACHINE by Roman Verostko, 1998 The Project: A family of algorithmic pen plotted drawings, each presented with the binary text for a Universal Turing Machine (UTM), was created for an exhibition in

THE MANCHESTER ILLUMINATED UNIVERSAL TURING MACHINE by Roman Verostko, 1998 The Project: A family of algorithmic pen plotted drawings, each presented with the binary text for a Universal Turing Machine (UTM), was created for an exhibition in

THE MANCHESTER ILLUMINATED UNIVERSAL TURING MACHINE by Roman Verostko, 1998 The Project: A family of algorithmic pen plotted drawings, each presented with the binary text for a Universal Turing Machine (UTM), was created for an exhibition in

Tangible Disaster Simulation System is a collaborative tool for planning disaster measures based on disaster simulation and evacuation simulation using Geographic Information Systems (GIS). Built on the Sensetable platform, Tangible-DSS allows

Elastic Fax I, created by Eduardo Kac, was realized at the Museu de Arte Moderna, Rio de Janeiro, Brazil, in 1991. Artists worldwide were invited to transmit sequences of images to form a self-editing faxfilm. Sequences were added automatically in

"Interfaces" was a live exchange conceived and organized by Eduardo Kac which took place on December 10, 1990, between a group of artists in Chicago and another group in the Center For Creative Inquiry, at the Carnegie-Mellon University, Pittsburgh.

The central work in the "Natural History of the Enigma" series is a plantimal, a new life form I created and that I call "Edunia", a genetically-engineered flower that is a hybrid of myself and Petunia. The Edunia expresses my DNA exclusively in its

… is a series of works comprised of what Kac calls "biotopes", that is, living pieces that change during the exhibition in response to internal metabolism and environmental conditions. Each of Kac's biotopes is literally a self-sustaining ecology