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Dump au mètre
2010
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2010
Speaking of possible artistic careers, we can imagine a person devoting his life to designing highly symbolic wallpaper. The surface of the earth and its symbolic appropriation become more important than the substance, and we can imagine producing
The pavillion of post-contempary curating: +MUPCA
2009
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2009
Museum of Post-Contemporary Art (MuPCA) in The Dump Paris est une ville qui semble croire à un déterminisme calendaire qui affecterait l’histoire de l’art et plus encore l’architecture de sa conservation. Orsay: un musée du XIXe siècle, le Centre
Art Total
2010
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2010
The relationship between the work and its frame and between art and its spaces for exhibition and legitimisation has been one of the preoccupations of twentieth-century artists. In the multiple conceptual acrobatics which led Klein to exhibit
Subtitled Public - Mexico City
2005
video
"Subtitled Public," 2005 computer, custom software, camera, projector variable dimension interactive installation Installation view at Sala de Arte Público Siqueiros, Mexico City, México. "Subtitled Public" consists of an empty exhibition space
Emotion Ringtones
2008
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2008
Emotion Vending Machine looks like a beverage vending machine, where users can select a range of emotions, shaped as dynamic cards, updated in real-time with web data. Users select three from a list of nine emotions, such as “fear”, “joy” or
Falling pixels
2007
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2007
It is difficult to watch a man falling from the world trade centre without attempting to track down evidence of something between the indescribable and the unthinkable. Beyond the symbolism of the event, the instant touches on another of our fears.
Cardinal Directions
2010
video
"Cardinal Directions," 2010 Surveillance monitor, embedded computer, infrared sensors, robotic actuator, slip ring, stainless steel support, custom software, metal certificate 51.1" x 11.8" x 11.8" / 130 x 30 x 30 cm, free-standing sculpture edition
Plot against Time #1 (lower resolution excerpt)
2007
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2007
"Plot Against Time #1" captures the traces of pigeons and pedestrians on Venice's Piazza San Marco. Each moving thing etches itself across the surface of the image in a golden hue which fades as time passes through a ruddy brown to pure black before
un Générateur de Failles Psychologiques Integré
2003
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2003
La performance est la présentation d'un projet de recherche technologique proposée en 2013 (soit 10 ans plus tard) Présentée sur une estrade, projection sur tulle en avant scène des illustrations animées qui semblent flotter dans l’espace. Speaker
Jardin Virtuel de Calais
1999
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1999
Projet de parc thématique culturel: Conception des dispositifs interactifs, réalité virtuelle, réalité augmentée, robots…
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