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"This project focused on airport security regulations, seeing them as a worst-case scenario of playing on people's fears. It looked at how security is installed as a focal point in our daily lives. The online platform was set up in order to

"Cheap Imitation" is an homage to Marcel Duchamp. Duchamp was of course an inveterate re-user of existing works of art. In "Cheap Imitation", Rokeby has cut up Duchamp's "Nude Descending a Staircase" into the several hundred facets that make up

CHAOS [Sonat 1.0, Movement 1.0] is an art project by Sameh al Tawil 2021, which focuses on the visualisation of sound data. The artist is improvising live piano sounds that are developed for a 2D/3D visual/s generation and responses, these produce

Elgin Talkies is a 110-year old theatre in Shivaji Nagar. This electrical installation, mostly held up with cellotape and binding wire and reconfigured almost every day, was up for 5 evenings at the theatre and on the street outside it. The

Paranoia is the state of the world. Propelled by our media, we have re-assumed our place in the jungle, afraid of the invisible predator all around us. Constantly watching and watched, what is it that we look for? Consisting of six vintage

Deux pièces datant du début des années 1980, parmi les toutes premières œuvres de Maurice Benayoun, s’articulent autour de la thématique historique du Carré blanc fond blanc de Kazimir Malevitch. L’artiste n’a alors pas encore exploité le

From the curatorial essay by Christina Oyawale and Karina Iskandarsjah: "In this age of instant information and global communication, a key component of the machinery that assembles our 'borderless' world is the global shipping industry. Every year,

"Cardinal Directions," 2010 Surveillance monitor, embedded computer, infrared sensors, robotic actuator, slip ring, stainless steel support, custom software, metal certificate 51.1" x 11.8" x 11.8" / 130 x 30 x 30 cm, free-standing sculpture edition

32. Canticle to the Sun IV, 1996 20" by 15"" Pen plotted drawing. In 1966 the artist painted a large eight-foot by four-foot wooden panel as a "Canticle to the Sun". That work, celebrating the sun, incorporated text from the sun canticle

Can You See Me Now?draws upon the near ubiquity of handheld electronic devices in many developed countries. Blast Theory are fascinated by the penetration of the mobile phone into the hands of poorer users, rural users, teenagers and other