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... / sound: Marnix de Nijs, Edwin van der Heide Dance / choreography: Ana Ladas Lightdesign: Bernie van Velzen (source: http://marnixdenijs.nl)

... to interact with and explore Spatial Sounds (100dB at 100km/h) at a quite often too close for comfort distance. (source: http://marnixdenijs.nl)

... the work in its installation form or at any number of remote locations interacting with the work via the web. (source:http://hosted.simonbiggs.easynet.co.uk/installations/stream/statement.htm)

... that each viewer is able to see all three scenes from the points of view of all the other viewers simultaneously. (source: http://hosted.simonbiggs.easynet.co.uk/installations/parallax/parallax.htm)

... then again should we simply resolve ourselves to leaving the monitor alone to cope with the spinning action? (source: http://marnixdenijs.nl)

... two of Hiroshi Ishii’s interfaces developed at the MIT media-lab; 'Curlybot' and 'inTouch'. (source: http://marnixdenijs.nl)

... being the faint faces of various people. The piece uses object oriented and behavioural programming techniques. (source: http://hosted.simonbiggs.easynet.co.uk/installations/genome/genome.htm)

... on viewer interaction they dance various passages from the Tango, change direction and also change gender roles. (source: http://hosted.simonbiggs.easynet.co.uk/installations/waiting/waiting.htm)

... hear a hypnotic induction. If the viewer did not enter, the piece retained an idea of a psychological barrier. (source: http://www.grahamnicholls.com/)

... texts using generative grammars, based on the textual works of William Blake, are visible on each screen. (source: http://hosted.simonbiggs.easynet.co.uk/installations/halo/halo.htm)