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1985, La dernière biennale de Paris. Personne ne le savait à l’époque. En pleine montée du post-modernisme je m’interroge sur le sens de la pratique artistique au milieu des années 80. 8 artistes contemporains seront «mis en situation», sommés de

“Surface Tension” is a collaborative interdisciplinary work for disklavier piano and interactive video created by pianist Eve Egoyan and artist David Rokeby. It was commissioned by the Open Ears Festival with a grant from the Canada Council. It was

ASCIIImage aims at creating an online tool to generate ASCII art from jpg images uploaded by its visitors. This net-art work discusses the intersections of words and images by implementing an algorithm that recognizes luminance of different areas of

Arctic Conquistadors examines the tensions and conflicts characterizing the Arctic today. The Arctic space is being re-mapped / re-drawn / re-appropriated by the traditional stakeholders and newcomers, be it private or state-owned corporations,

Repsat uses the latest 3D printing technology and it´s conversion from digital files to printed format. Through this conversion we obtain three dimensional models in low relief called litophanies. This litophanies when are retroiluminated works as a

Urban DataScape is an interactive multimedia installation to immerse yourself in the heart of the Parisian climate issues. Designed for the Banks of the Seine, this work inaugurates the launch ArtCOP21, a cultural event on climate change that will

Kapton material was developed in sixties by Dupont, a chemistry american company. From the very beginning it was one of the main used materials by aeronautics industries for it´s hot and radiation isolates properties what was become in the ideal

The first video represents the Indian dancer and choreographer Keity Ajoure running and doing dance steps on a striped mosaic that looks like a series of borders. Opposite this, a hidden camera in the border zone of Zurich airport films businessmen

Artists who create interactive systems and artistic interface designs have begun to look for new display possibilities. For this reason façade’s of contemporary buildings have been largely investigated as a sort of membrane for the display of

The project “Magic Eye-Dissolving Borders” is based on the dichotomy between a positivistic participatory communication artwork and the awareness that communication per se can be superfluous and vain. “Magic Eye-Dissolving Borders” aims to challenge