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  • ... – Similarities that focuses on magnetism as a physical phenomenon, by visualizing it in various ways, using kinetic objects, videos, drawings, and photographs of visually magnified particle configurations. The tracking of this invisible natural activity –...
  • ... were drastic and there is no context we may perceive nature out of it. As Stephen Gould recently put it, evolution is like a videotape that, if replayed over and over, would have a different ending every time (Gould 1989, especially pp. 45–52, 277–291). The...
  • ...Exchange Fields (with Dancer Regina van Berkel) was fully remade - digitising all of the videodisc materials, and authoring a new fully Digital Version. This project was done in Conjunction with IMAI institute - Intermedia Art Institute
  • ... by Hubsi Kramar, shown in the Schauspielhaus Graz as part of the steirischer herbst and in the Schauspielhaus in Vienna. The videotapes and the closed-circuit installation are based on variations of Gödel's mathematical theorems, Escher's drawings and Bach's...
  • Plüschlove - video
    Videotape [English title, Plush love] Love scenes from two movie classics are rasterized, overdrawn, overstretched and squeezed, slowed down and accelerated by the computer. 'Plüschlove' is a montage of real, digitized (i.e. computer-generated) and computer-modified...
  • ... entire exhibition space, which was made possible by the use of mesh wrapping and perspective technology for digital images. Videos featuring large, bold fonts slowly flow outwards, gradually expanding, and then they start to emit light. With digital...
  • ... entire exhibition space, which was made possible by the use of mesh wrapping and perspective technology for digital images. Videos featuring large, bold fonts slowly flow outwards, gradually expanding, and then they start to emit light. With digital...
  • RC Robot
    ... the robot was used in a dialogical performance realized with Otavio Donasci, in which the robot interacted with Donasci's videocreature. Through the robotic body, a human (hidden away) improvised responses to the videocreature's pre-recorded utterances.
  • Which one is true? -
    ... used for facial recognition, tracking, and prediction, these AI tools can be used to easily swap people’s faces in videos and fabricate people in videos, making it nearly impossible to tell the real from the fake. The saying “Seeing is believing" is...
  • ... the work Eduardo Kac produced between 1982 and 1984. Most of these photographs were taken by Brazilian photographer and videomaker Belisario Franca.