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Peter Weibel is considered to be one of the poineers of interactive, computerbased installations. In this work from the early nineties, the participants are being filmed upon entering a room. They see "their" film on a large screen while there is a

A series of video illusions for drivers is projected onto the front window of the Cartier Foundation, Boulevard Raspail, one of the main streets in Paris. The real-life scale of these videos gives drivers the impression that new streets have opened

This project, presented in both a Saint Petersburg factory and museums of the West, is an interaction between spectators and the artist. The artist films each participant and throws their image back at them just as they start to relax in front of

The Biopresence project began with the destiny of Biscarosse's elm trees, which is indeed the story of all the elms of France, which the so- called "elm disease" has practically wiped from the French countryside. This obliteration has diminished an

In this piece, while observing the effects of new technology, Olga Kisseleva has singled out the conditioning of behaviour at the heart of complex systems on the local as well as the global scale. Her interventions, which are strictly related to

As part of a public art commission, Olga Kisseleva installed a digital artwork in the patio of the Tulle mediathèque. "CrossWorlds Proverbs" is a composition of electronic tags based on proverbs on the subject of knowledge. The electronic tag is a

"My double life" is a video installation made up of several diptychs. All individuals divide their lives into a professional activity performed in order to survive, and their true skills that are unrelated to work. The diptychs show the

Velvet-Transcode is a work of electronic art conceived to perform a "digital artistic study" of the milestone album The Velvet Underground & Nico. The record has been disbanded and reconstituted as a digital form made up of audio tracks fragments,

Device built to explore film materials originally conceived as linear analog forms that once beeing digitized become susceptible to manipulation through the programming process. This is a machine that allows the user, through interaction with a

"Fantastic diver" is the name of a film created in 1905 by the Aragon’s director Segundo de Chomón. This facility called Electric diver, uses fragments of the digitized footage to develop a series of projections that the viewer can be modified by