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...Length: 6min. 30sec. Two rectangles turn like prayer wheels on either side of a vertical videographic axis. They show the resonances of a thin layer of sand as it is effected by the audio frequencies of Tibetan music - a conjunction of science and metaphysics. ...

... from the very notion of volume. Works that provide programming language a textual appraisal, creations that resort to videographic procedures in literary construction and play on the passivity and participation of the reader. Short animations...

... can fool the brain into experiencing other "realities". The artist Teresa Wennberg, known above all for her pioneering videopieces and her complex multi media installations with computergenerated 3-D animations, is presently working in Stockholm with...

Videoinstallation; 3 channels, 3 projections Ed. 2/4 3 Screens ea 225 x 300 cm

...Interactive installation with a digital mirror (videocamera + retro-projected screen mirror-shaped) reflecting the face of the visitor standing in front of the mirror. The image is focussed when the visitor stand up to observe the mirror and disappear when the visitor...

...Paris VideoPlan was commissioned by the RATP (Paris Metro) to map the Madeleine district of Paris from the point-of-view of walking down the sidewalk. It was filmed with a stop-frame 35mm camera mounted on an electric cart, filming one frame every 2 meters. An encoder...

...Reabracadabra, 1985 - Videotext animated poem shown in 1985 in the group exhibition Arte On-Line, a national videotext art gallery presented by Companhia Telefônica de São Paulo. In 2003 Reabracadabra was adapted for cel phones.

Videotext (minitel) animated poem shown online in the group exhibition Brazil High-Tech (1986), a national videotext art gallery organized in Rio de Janeiro by Eduardo Kac and Flavio Ferraz and presented by Companhia Telefônica de São Paulo (in Portuguese).

... A appeared above the C, followed by a series of letters O moving upwards. This motion was against the default mode of the videotex medium, which refreshed pages with slow top-to-bottom scans. Like a light beam, the letter was "reflected" by the top margin...

... "Deus". The numbers were not random either. They indicated the date when the work was produced and uploaded to the Brazilian videotex network.