Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
(selected)
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
61
62
63
64
(current)
65
(more)
276
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Plasm: Not a Crime
1998
-
1998
... this traditional manner of communi
cat
ion. Some of these technologies endeavor to...
Plasm: A Fish Sample
1985
-
1985
The initial installation in the Plasm series, this piece was inspired by Allen Kay's talk on artificial life forms and simulated ecologies at SIGGRAPH the preceding year. A real-world living room setting, complete with sofa, coffee table,
Mimetic Starfish
1999
-
2000
The Mimetic Starfish is a virtual creature, projected onto a large circular table. It reacts to visitors hand gestures in a life-like manner, slowly extending a tentacle towards a gently moving hand, or receding rapidly in an impulsive manner if the
The Preservation of Entropy
2001
-
2001
A time-based work on decay and energy presented in 6 museum vitrines arranged in a triangle, containing 3 alchemical flasks of acid, alakaline and base each with 3 rods of copper, iron and aluminium connected to 3 old IBM Dos computers, their
The Spectrascope
2004
-
2004
... present at sites of apparently haunted lo
cat
ions. Introducing this frequency to the gallery...
The Parallel Dimension
1998
-
1998
... the Heart&Blood Room, the Breathing
Cat
hedral, the Thought Cabinet, the Flesh...
BRAINSONGS - WELCOME TO MY BRAIN
2001
-
2002
... DIMENSION. Invited by InterCommuni
cat
ion Center (ICC) in Tokyo, a museum which is...
Elusive Self
2002
-
2017
ELUSIVE SELF A room installation which deals with the capacity of our brain to remember - and to forget, focusing on how we constantly revalue and recreate our relation to ourselves and to our past. Our memory is not like a printed book with an
Magnet
1997
-
1997
Interactive digital video projection environment 14 x 8 x 7 metres 2 large scale video projections, black and white, multi-channel interactive sound In collaboration with Stuart Jones (sound) Produced whilst Artist In Residence at the
Suspension
1997
... Matrix concerns the structure of signifi
cat
ion, its indissoluble links to material...
1
…
(more)
61
62
63
64
(current)
65
(more)
276