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Loophole for All
2013
-
2013
video
... major experts and produced a video do
cum
entary investigating offshore centers to expose...
DIGITAL MONSTERS DON'T BLEED
2014
... reloaded," as it were, under digital cir
cum
stances. Beyond such dystopic Orwellian visions...
NAKED EYE
2010
Intangible Images Brigitte Felderer: Naked Eye, an installation by Sylvia Eckermann With her installation at Kunstraum Bernsteiner Sylvia Eckermann addresses the presentation of the "white cube" by subverting the boundaries between tableaux vivants
The Cybernetic Institute's Letter of Letters Manifesto
2014
The Cybernetic Institute's Letter of Letters Manifesto Video and Text By Lila Moore Background The Cybernetic Institute's Letter of Letters Manifesto is the outcome of an auto-communication between the Cybernetic Institute and Seeker of True-files.
Texts, Bombs and Videotape
1991
-
1991
Texts Bombs and Videotape - A 24 hour fax, E-mail and SlowScan TV event presented as a telematic workstation between Newport School of Fine Art in the UK, The Hochschule fuer angewandte Kunst in Vienna and the Digital Art Exchange in Pittsburgh,
Televirtual Fruit Machine
1993
-
1993
video
This computer graphic installation is a telematic adaptation of THE FRUIT MACHINE (1991). The work connects remote locations to enable simultaneous imaging and real time interaction to take place between both sites where the work is installed. It
Eternal Summer
2000
-
2000
"Eternal Summer" is a site-specific, 4 screen installation commissioned for the waiting room of the Ebner, Stolz & Partners corporate office at the Kronencarre building in Stuttgart, Germany. The concept of the installation in the waiting room
Videoplace
VideoplaceArtist: Myron KruegerComment:
Inversion
2001
video
Inversion (2001) is a new dance/installation, a collaboration with the Dancer/Choreographer Regina van Berkel that explores the topic of Nanotechnology through a poetic text, a musical score, the A Hybrid Invention Generator like system functioning
Deep Contact
1986
-
1989
The next interactive piece, DEEP CONTACT (1989), directly involves the body of the viewer/participant who were required to touch the computerscreen. Viewers choreograph their own encounters in the vista of voyeurism by actually putting their hand on
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