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  • Keynote lecture at the 11th International Conference on New Interfaces for Musical Expression. 30 May - 1 June 2011, Oslo, Norway.
  • Infections of a mental kind and the examination of the animalistic are the topics of the Zurich media art group ‹knowbotic research› in their most recent project ANIMAL INFECTED. The infection takes place subtly, for instance with an expres sion
  • Stolen Life -
    Two concepts have marked 21st century creation, the metaphysical consequence of which is obvious to everyone, despite their apparent differences. The first is the idea that it is the spectator who creates the picture and the second is that the
  • Out of the dump -
    communiqué Centre des Arts Pour ce dernier volet de la saison, le centre des arts invite l’esprit prolifique de Maurice Benayoun à investir ses espaces ainsi que ceux de la Médiathèque George Sand d’Enghien-les-Bains autour de deux propositions
  • Whirl -
    Skaters, late in the day, late in the year, circling the rink at Toronto City Hall.
  • Face to Facebook texts from www.face ‐ to ‐ facebook.net by Paolo Cirio and Alessandro Ludovico. 2011 Logline: Stealing 1 million Facebook profiles, filtering them with face ‐ recognition software and then posting them on a custom ‐ made dating
  • Memopol-II
    Memopol-2 is a social machine that maps the visitor’s information field. When an identification document such as a national ID card or a passport is inserted into it, the machine starts collecting information about the visitor from (inter)national
  • BioARTCAMP -
    BioARTCAMP is a two-week residency program at The Banff Centre directed by Dr. Jennifer Willet from The University of Windsor, Canada. BioARTCAMP is a hybrid workshop / conference / performance event where 20 national and international artists,
  • BioArt – Art from the Laboratory, is a documentary about bioart. A co-production of styblo.tv, ORF and ARTE, © 2011. "BioArt – Art from the Laboratory" is representing ORF at the 2012 Rose d'Or Competition in Lucerne, as well as at the 2012
  • In 2011 a kinetic installation for the deutsche bank headquaters in Frankfurt had been realized on the basis of an anamorphic distortion of their logo. The logo had been designed by anton Stankowsky in 1974 and was a radical step towards simplicity