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  • ... (in medias res, 2020) staubrauschen.de/insignificant/ (insignificant, 2020)... and live - according to the varying position, direction and speed, and voluntary...
  • ... (in medias res, 2020) staubrauschen.de/insignificant/ (insignificant, 2020)... and live - according to the varying position, direction and speed, and voluntary...
  • Timo Kahlen: UR, 2006 -
    ... (in medias res, 2020) staubrauschen.de/insignificant/ (insignificant, 2020)... and live - according to the varying position, direction and speed, and voluntary...
  • ... (in medias res, 2020) staubrauschen.de/insignificant/ (insignificant, 2020)... and live - according to the varying position, direction and speed, and voluntary...
  • ... messages we are supposed to follow without question. After all, it’s all just a game. Self-Improve!, Capitalize!, Expose and Share! and Perform! are the messages we...
  • ... and transparency. Realised as a filmic sequence, it also points to its material and... but also voyeurism, superstition and possession. The eye is a symbol for the...
  • ... show. Explores a form of representation questioning the notions of tele-presence,...
  • ... life by surveillance systems, also questioning theater performance conventions and...
  • Audio Dust -
    ... (in medias res, 2020) staubrauschen.de/insignificant/ (insignificant, 2020)... and live - according to the varying position, direction and speed, and voluntary...
  • ... not be a replica of the original. Subsequently, this new image is processed again to... displays this animation, and a webcam positioned directly opposite it records it at 24...