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RainDance
1998
Streams of water, encoded with sound information, fall from specially designed modulating nozzles. When visitors position their umbrellas under the streams, the umbrellas become loudspeakers, revealing music, noises, voices and rhythms.
Dust
2009
In his new work, Dust, DeMarinis explores facial similarities, pairs of faces, and the abstraction of images into the dust. DeMarinis presents a fragment of this collection of likeness-pairs, scanned sequentially into the light-memory of
time to back up!
2000
"Time to back-up?" stellt den sehr reduzierten zweiten Teil der Biennale-Arbeit "IO_lavoro immateriale" von Knowbotic Research dar, die aus zwei in eine graue Wand eingebauten Lautsprecherpaaren und einem CD-Brenner besteht. Man hört die von
IO_dencies Series [Tokyo/Sao Paulo/Ruhrgebiet/Venice]
1997
-
1999
... of city, work, public sphere and electronic networks. St
arti
ng from local workshops (software concepts, theoretical...
Crack it !
2000
... issue contains the brute force attack software you need to p
arti
cipate to crack the password. After installing the program, dial...
anonymous muttering
2001
... visitors can activate the databodies of several ART Basel -p
arti
cipants, while these data streams in turn trigger acoustic and...
Mental imMigration
2001
... linear in western styles of working and thinking instead of re
arti
culating them through a personal confrontation). These enables a...
Minds of Concern : : Breaking News
2002
-
2003
... activities in the networked society. This list also includes
arti
stic media activists and international media
arti
sts. Through a...
Naked Bandit
2004
Knowbotic Research investigates in the context of the "war of terror" legal frameworks which inscribe and determine in mostly invisible layers our public fields of action. KR directs the attention away from the dominant layer of represen-tation
Animal Accessories
2002
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2002
..." Animal Accessories" * performance concerns 2
arti
sts. Pepi Kelaidi sews with a surgical suture Yiannis Melanitis' cheek, extending the...
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