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  • ... two specially made joysticks. Embodying techniques developed for flight simulation, this work gave the operator the ability to...
  • ... the Falklands War. It was made using the same functional and iconographic structures as Points of View I, but with a differing... its inevitable predisposition to oppression and warfare.The form of this edifice was a stepped pyramid that carried the following...
  • ... of profane and sacred allusions presented in the work's iconographic structure. The installation was made specifically for the neo-Gothic Vleeshal in Middelburg and consisted of a computer graphics video projection onto a...
  • ... suspension between these two image planes. The conceptual and iconographic references in this work are largely derived from Baroque... the ceiling. The otherwise total darkness of the space creates for the viewers a state of visual suspension between these two image...
  • ... sound tracks were composed and recorded by Harry de Wit for this work. Each sound track was assigned to a specific position on...
  • ... joystick also allowed the viewer to move his point of view forwards and backwards in the scene. The computer-generated imagery...
  • ... in turn animates the images on its screen. A friction plate forces the viewers to exert themselves physically. Turning the monitor...
  • ... interactively controls his journey through The Virtual Museum. Forwards and backwards movement of the chair causes corresponding...
  • ... this work the movement of a large video monitor mounted on an industrial fork-lift truck creates a virtual representation of a larger than life...
  • ... project initiated at the ZKM Karlsruhe in cooperation with the Forschungszentrum Karlsruhe. It encompasses the conceptual and...