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The Waiting Room
2002
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2002
"The Waiting Room" is a virtual space that 50 users share through the Internet. The visitors to the space are strangers, united by the software, the Internet, and the artwork itself. In this space the visitor becomes a participant in a moving
Sacred Code
2003
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2003
"Sacred Code" is a rumination on three holy texts:The Old Testament, The New Testament and the Koran, as seen through a digital lens. In this new artwork, Napier has created algorithms that read these three books bit by bit, literally reading
Season in Hell: Inauguration of Death
2005
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2005
The nation's Capital has been transformed into a mighty walled fortress, armed to the teeth, locked-down, swept-clean - all joy has been strangled - on any suspicion, they would pounce with the stealth of a wild beast. (source:
Soul Of The City
2009
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2009
Soul Of The City By Stanza 2009 Enter Artwork online. Version one. Version two. Version three. ------------------------------------------------------------------------------------------------------------------------------------ Is the city
Microvenus
1986
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1986
Joe Davis concepted "Microvenus" explicitly as an artwork and living art. His aim is the investigation of possibilities of communication with aliens and the search of longliving informaiton carriers. The main aim of the project is the investigation
House
2007
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2007
“House” by Stanza, is a dynamic public sculpture viewable over the internet. House is not a mute memorial to a related past but a live embodiment of change and renewal. House describes the space, a real Victorian terraced house, in this case, that
data.tron [8k enhanced version]
2009
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2010
the new work is an enhanced version of the audiovisual installation data.tron, where each single pixel of visual image is strictly calculated by mathematical principle, composed from a combination of pure mathematics and the vast sea of data present
Telematic Manifesto
1999
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2001
Net-Project The "Telematic Manifesto" is a participatory, collectively-generated Net Document that articulates a vision for the future of Telematic Art as a socio-cultural force in the 21st century. This project investigates Telematic Art as the
antidatamining
2010
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2010
Antidatamining is a series of visualisations of financial data. Economy is represented by its main agents –companies, groups and holdings, stock exchanges, banks and investment funds– and their interaction: capital relationships, geographic
circulation
2010
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2010
circulation, 2010 MP4 Full HD y Flash (RSS Yahoo) The man: Vincent Charlebois The woman: Mélissa Gagné Production: Agence Topo para Geoweb Circulation elaborates a parallel between two lovers’ discourse and the flow of cars, because
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