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  • LAB 1: ART+COM -
    ... and Strauss, came from the University of the Arts, others from Mental Images, a Berlin based software firm, from the Technical University and some associated with the Chaos Computer Club. Discussions went on all night long until a common language...
  • ... 1997, designed and developed research prototypes, artistic projects, tools, interfaces and events intersecting art, science and technology. The experimental research lab invented “tools for the art of tomorrow” in teams of architects, artists, designers,...
  • The Lake -
    ... artwork using live real-time biological data. The Lake questions how data abstracts life and our environment, and how we use technology to connect with living things. Installed by the lakeside at Tingrith Fishery, Bedfordshire, the piece uses hydrophones,...
  • Water Lily Invasion -
    ... Then, in January 2014, this amateur video was made in the courtyard of the School of Art, Design and Media of the Nanyang Technological University in Singapore. The invasive water lilies seemed to have followed currents in the South China Sea ("Nanyang")...
  • I am Sound -
    ... values which Reiserer uses to create variations over time on the initial struture of the music. Music composition and technology The output frequencies of this composition are turned into audio signals for the installation with twelve sample players...
  • Unexpected Growth -
    ... of plastic garbage - from an illegal waste dump, swept into the sea by storms. Preventing catastrophic global warming is technically possible but politically difficult. Corporations and governments will not take action unless we put massive pressure on...
  • Digital Wave -
    ...How might we connect with ‘intangible’ digital technologies in ways we understand and can touch? Digital Wave is a large-scale interactive digital installation examining spatial movement and energy flow in a hands-on, interactive artwork measuring 3 x 14 metres. It is...
  • Ototoxicity -
    ... It draws on how sound design often makes use of fluctuation (Chion 1997) and multiple layers (Colin 2005) and uses these techniques to represent some form of abstract dialogue. In addition, sound is most often described as an external influence (Phelan &...
  • ... 'Hortus Delicarium'. Its about the dilemma between our changing perception of reality through the interference of emerging technologies and our demand for nostalgy, turning back to nature, purification.
  • The Observatories -
    ...The Observatories asked: What techniques make us feel those fight-or-flight or must-buy-it-now urges? It also demonstrated how easy it is to manipulate people through subconscious smell. In standalone structures in the centre of Milton Keynes, audiences were confronted...