Archive Search

... replaced by one of the urban landscapes, depicted via a scanning action that sweeps the entire circumference of the central space. It displays key areas in the form of words, sounds, and video images. In various spots, it points out the limitations of a...

... the former examples, Antoine Schmitt's works are far more visually oriented studies of the 'behaviours' of forms in time and space. In the comments accompanying his contribution to CODeDOC II, Antoine Schmitt points out that it would be a misleading...

...In a public exhibition space (Art Basel Unlimited), von Bismarck spent a week on a paraboloid-shaped cement disc, which rotated around its own axis at a speed of fifteen revolutions per minute. He slept, ate, read, and talked on the telephone while on the platform....

... in ordinary actions. You walk towards a wall on which the imagery of the work is projected and navigate the continuous image space by stepping a bit to the right or left. That's about it. There’s no fancy interface to enter, no sophisticated movements or...

... and at times intertwined, dialogue about obsession, love and death exists not in a physical plane, but rather in the emotional space that it creates inside each member of the audience. Sarah Kane didn’t leave any directions about the mise en scène. This fact,...

...Under Scan is an interactive video art installation for public space. In the work, passers-by are detected by a computerized tracking system, which activates video-portraits projected within their shadow. Over one thousand video-portraits of volunteers were taken in...

... fragments derived from interviews with a Guantanamo inmate. Depending on the number of viewers the rendering of the 3D space from first, second and third person points of view creates a shifting experience of the immersive environment.

... These involve new couplings of humans and machines; new senses of intimacy and invasive pleasures that usurp private space; and new forms of simultaneously seeing and being seen - which are helping to change the contours of the body, its desires, and...

...hines increase the realism and the trompe l'oeil through the moving image. "Seeing and movement as dynamic processes that take place in space are the subject of the “door” projects Tür, 1988; Tür für Huxley, 1989; Tür für Heine, 1990 – a series of related computer and...

... various kinds (the performative), in relation to the generative ontologies of self-hood and the capacity of mediated social space to 'make people'. Crosstalk has been researched and developed whilst the artists were in residence at the Bundanon Trust, New...