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... people and processes of decay. As visitors step onto the surface of the image, they enter into a sonically immersive space. Parabolic speaker elements, which focus sound into extremely localized areas, aurally project a multichannel sonic landscape...

...In this installation images are projected onto a large screen lying flat on the floor of the exhibition space. The spectators stand on a surrounding balcony where a joystick enables any one of them to interactively operate the work by panning in any lateral direction...

... data places can stretch over multiple computers and also multiple network systems. They are not bound by geography, time and space. Once Instant Places is installed on a computer that is connected to the Internet the software begins to search for peers...

... the computer acts as an unconscious force subjecting the meaning of our human society to a new techno-order. In this space, a banal landscape populated by vague minimalist shapes is supervised by a Bentham-esque panopticon tower in the center. The...

... machine. The movements and sound of the interactive mechanical dance partner were manipulated by its own examination of the space around it and by direct physical contact through human interaction. The piece was developed after an investigation into the...

... replaced by one of the urban landscapes, depicted via a scanning action that sweeps the entire circumference of the central space. It displays key areas in the form of words, sounds, and video images. In various spots, it points out the limitations of a...

... the former examples, Antoine Schmitt's works are far more visually oriented studies of the 'behaviours' of forms in time and space. In the comments accompanying his contribution to CODeDOC II, Antoine Schmitt points out that it would be a misleading...

...In a public exhibition space (Art Basel Unlimited), von Bismarck spent a week on a paraboloid-shaped cement disc, which rotated around its own axis at a speed of fifteen revolutions per minute. He slept, ate, read, and talked on the telephone while on the platform....

... in ordinary actions. You walk towards a wall on which the imagery of the work is projected and navigate the continuous image space by stepping a bit to the right or left. That's about it. There’s no fancy interface to enter, no sophisticated movements or...

... and at times intertwined, dialogue about obsession, love and death exists not in a physical plane, but rather in the emotional space that it creates inside each member of the audience. Sarah Kane didn’t leave any directions about the mise en scène. This fact,...