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Seismocopes
2009
video
... Incoherence of Philosophers"
16.1
" x 17.7" x 6.7" / 41 x 45 x 17 cm,...
Drawing Machine 3.1415926 v.2
2001
-
2001
Drawing Machine 3.1415926 v. 2 explores the notion of generative art or art that makes art on its own. The piece consists of a three tiered mobile sculpture that is driven by the vibration of a motor. This vibration is controlled in two ways. First
Dreamlogs
2004
-
2004
“You can only command language by obeying it” (G. Perec & M.Bénabou, P.A.L.F. project, OuLiPo 1964) Dreamlogs are an idea association engine. They propose another way to surf on the Internet, by disentangling the discourses that have interlaced
Epiphanies
2001
-
2001
video
... disappear very soon since it
live
s on Google and feeds itself from...
The Neighbour
2009
-
2009
"The neighbour, neither friend nor enemy, is the one who may not be in your "network", but is nevertheless in your world." (Sukumaran) This ambitious project is Sukumaran's first major one-person exhibition in the UK. In The Neighbour, two
Grind Snaxe Blind Apes
1997
A tomb made of cardboard packing boxes. Inside, a primate-lab cage and a mechanism. That moves a computer controlled monkey's paw and a light source that slowly draw the face of Jim Pomeroy (1946-1992) in phosphorescent pigment.
Firebirds
2004
Flames, suitably modulated by electric fields, can be made to act as omnidirectional loudspeakers of surprising loudness and clarity. Each flame, captive within its cage, recites the words of a famous orator 1935-1936.
Romeo to Tripoli
2006
-
2008
Based on a hydraulic microphone and spark gap transmitter devised by Q.Majorana and G. Vanni in 1905. A stream of vitriolic acid, modulated by sound waves, controlled the flow of electricity to the transmitter and used to make the very first long
Intervie with Zhang Peili on Chinese contemporary art in the 1980s
2008
Interview
TeleZone Overview
1999
-
2000
"Telezone" builds on many of the ideas of Ken Goldberg's earlier "Telegarden" (1995) also at the Ars Electronica Center, and allows a community of people to collaboratively create architectonic structures--and by extension social structures--at a
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