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... The 1995 New Year's Eve synchronicity underscores my continuing interest in everyday life as seen, recorded and then digitally re-visioned into a kind of meta-physical photographic archive.

...video 6,’42 Images of material objects (sculptures by Alen Ožbolt) are digitally processed and projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass and gravity.

... Site specific video installation; variable dimensions The installations Kaleidoscopic Gaze and Spiral Floating are based on digitally- processed radiological images of my brain activity while contemplating Duchamp’s Anemic Cinema, which was conceived as an...

... elements from real material things with fanciful allusions. They might deceive us, giving the impression of being made digitally while in reality, they are made by hand, following the tradition of previous projects and therefore based upon the...

... that E?ric Alliez and Elisabeth von Samsonow used to designate conceptual art that broadens the boundaries between perception, digitally generated or analogue images and ‘mental’ art. For Alliez and Von Samsonow this broad concept included, among other things,...

... + Reiner Strasser, Nebraska Wesleyan University, USA, Spring 2000; Rathaus Wiesbaden, Germany, 2018; Positionen 2018 - Digitale Stadt, Darmstadt, Frankfurt, Wiesbaden, BBK Wiesbaden, 2018.

... dimensions of physicality, where original microscopic imagery – parts of the artist’s body tissues, like skin and hair – are digitally transformed into colourful, hypnotic landscapes and abstract patterns in motion. And the video closes with a simulation of an...

... Scanned Architecture II', which was realized in 1999 in the Künstlerhaus Wien. For the multi-layered photographic works, a digitally-produced photograph of one or more persons was superimposed on specific wire-framed models (with architectural quotes by...

... to alternate with the fabricated faces and as the artwork continues to document throughout the exhibition, the process of digitalization raises the question of “which one is true?" in this post-truth era.

...The 360° video »Secret Detours« served as an immediate approach to digitally preserve a Chinese garden in Singapore. Currently, my collaborators Benjamin Seide, Ross Wiliams and myself have developed a range of different versions in order to explore the screening...