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... various locations in the San Diego-Tijuana area. "The border," notes Crandall, "is usually located 'out there' in the...

... the presence of the spectator, manipulating and questioning notions of identity and corporeality. The viewer, donning a pair of...

... of narrative in fluid form, "weaving in and out of one another like a liquid tapestry of breathtaking complexity." A swimmer in...

... the manner in which we see things, and thus our accepted notion of self as constructed through seeing, the objective is to...

... rest of the network. The resulting movements of the pegs is not determined by any one individual input but by the networked group...

... discourse and the flow of cars, because this has changed our notions of intimacy and our imagination. Everything happens as if the...

... to the projectors. Position and direction of projectors has not been decided.

... property that if you rotate it through 360 degrees, it returns not to where it started but becomes the negative of itself. Continuing...

... sweeps across all the grids simultaneously, triggering musical notes wherever a dot has been placed. Sound is relayed over a...

... sacred books as does Chagall, but her intention and means are not the same. She prefers a more critical and conceptual mode to...