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  • Objects of desire -
    ... – contributes on a formal level its share to the transfer of text-based and ephemeral characteristics of net-art into real space. exhibited at: 05/12-07/12 2008 interference, mikrogalleriet, Copenhagen, Denmark 10/16-11/15 2008 YOU OWN ME NOW UNTIL...
  • ... exploring a lonely, abandoned archipelago at the farthest ends of the earth. The virtual world however is a non-cartesian space in which vast universes can be hidden in small, drab buildings: a pavilion transports user s to a piazza filled with jeweled...
  • ... that following the tradition of artistic interventions at the Venice Biennial, presents augment reality works that float on space and invade the airwaves without seeking permissions or excuses for their ‘artistic behavior.’...
  • ... The second table site is situated in a remote location, also surrounded by four monitors - apart from the colour of the space it is identical to the first. Everything in the second site, except for the chair, is chroma-key blue - a blue box backdrop,...
  • ... Clone”. The antithesis of images and texts in this series emphasizes the white prototype of “Eve Clone” body created in computer space. Besides the perfect body shape of “Eve Clone” in golden ratio, the number of the beast 666 is marked upon her forehead and right...
  • ... Clone”. The antithesis of images and texts in this series emphasizes the white prototype of “Eve Clone” body created in computer space. Besides the perfect body shape of “Eve Clone” in golden ratio, the number of the beast 666 is marked upon her forehead and right...
  • Tele-touch
    ... on the screen and submit a touch. The electronic touch is then executed over the network and the person in the physical space feels the simulated touch. Only once the touch has been executed the identities of both participants are revealed. The link to...
  • ... attached to his head, the visitor is provided with textual information which helps him to navigate inside the virtual sound space. A computer graphical visualization of the permanently changing system, the actions of the visitor and their bearing on the...
  • ... walks through downtown Berlin along the infamous "death strip" where the Wall was impassable. In this temporary mental space, a kind of performance will take place at the table between the visitors. This is how the idea of a Thinking Space was born. ...
  • Which one is true? -
    ... faces, their composited faces, and the faces of other participants are then projected and displayed inside the exhibition space at random. As the real faces continue to alternate with the fabricated faces and as the artwork continues to document throughout...