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Marcello Mercado Self-portrait 2005 Documentation of on-line performance/ Biographie 16:9, 7min. 17", Farbe, stereo, 2005

transferring, storing, sharing, and hybriding: Text_version, 2011 The digital-information-storage inheritance of generations and nations: I have considered all the possible scenarios of events as large databases and reality as a process of

GLITCHES_DIARIES of PURE_DESKTOP The installation explore the visual representation of data: I was capturing screenshots of my desktop´s activities during 6 months. The obtained images were manipulated with algorithms and recaptured in order to

Marcello Mercado Live streamings from Dolmens, 2011 HD single channel video, 17min 35sec stereo 16:9 black/white/colour DNA-performance-installation- soundart (LIVE) 19/06/11 14:17 PM Dolmen2: 54° 44´23.99" N 11° 47´23.36" E elev. 4m

Net.Art http://www1.khm.de/~marcello/html/Net-Art/m3.htm "How does the Inconsistent work, practically?" 6497641 acaatgttta atgcactttt aaagccacat gcgttgtttt 6497701 gaaatttctc attagtcgct gtctaacacg gcacttctgt 6497761 cactttttta ctgaggtagg ggaagtctac

Mutter or On Formally Undecidable Propositions of Principia Mathematical And Related Systems by Gödel revisited Genetic Digital Cartoon, 42 chapters 2000 http://www1.khm.de/~marcello/html/mutter.html

Sebastián Sánchez Zelada and Marcello Mercado Azimuth 77, 2006, Performance, 21 min. 26 sec., stereo 4:3 colour http://vimeo.com/59615529 This video is about a serie of performances that relates specific points in the tracking of Iridium-mobile

Marcello Mercado transferring, storing, sharing and hybriding: The perfect humus, 2010 Hybrid-DNA-Performance-Bio-installation, 16'23", stereo 4:3 color http://vimeo.com/37691031 Information culled from digital archives, the human genome, satellite

keywords: bioart, genome, finger, soundart, genetics, synthetic voice, DNA – Sequence alignment, chromosome 1, DNA, Nucleotides, adenine (A), cytosine (C), guanine (G), thymine (T), DNA-Bases Description: Human Genome re-Activation on-line live

AL GRANO: Framing Worlds deploys a staging of fact and ction where various registers of images, texts and objects, coexist. These digitally produced 2D and 3D pieces have as common element the manipulation of languages, histories and codes (the