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...ere” in Latin, as used to indicate that the speaker is present (equivalent to the exclamation "here!" in a roll call). To create this space poem, I developed a new typeface in which the letter “N” takes the form of an hourglass and the letter “S” has the shape of the...

... part of a series of works in which I investigate the relationships between human notations and codes and our experience of space-time, seeking to change the ways we understand it; in this case, visitors immerse themselves in a spatial experience of time...

... directly to the art market, playing with the buyer and the artist, the fetiche, analog and digital and the speeches among space and time contained in the digital intangible.

... is elastic and can be presented in many ways, as Net Art project (from 2004-2007), as an interactive installation in gallery space (2005-2006), etc. It can be adjusted for multiply persons. The project was built at the old personal website...

... oscillations of various frequencies that modulate each other resulting in complex patterns within the two-dimensional space of the image plane. The patterns emerge through phantom frequencies generated when the signals produce values beyond the tonal...

... onto the central part of the table, is controlled and influenced by the movements of the dials. At the outset, the space of Timetable seems to be rational and unified, but the longer the piece is used, the more complex and multi-dimensional it...

... "soul", is represented by live data feeds from my wireless sensor networks. This visualisation is showing the stressed city space. The changing parameters are what changes in the city; ie the temperature, light, noise data and chemical changes. This...

... camera phones would send picture messages from around Paris directly to the live generated ‘music video’ in the exhibition space. The day by day unfolding story would evolve based on the incoming messages. The volume of incoming messages and interconnectedness...

... "Águas de Março", by Tom Jobim. I cut the sequences and I present them simultaneously. The music fragments in the time and space are shown on the six television sets conducting the participant to several associations of the sequences. On the biggest...

... honouring and at the same time toying with and destabilizing the formal regularity of the soaring, cathedral-like space.