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  • ...Making of Eve Clone Portraits IMR is a continuous series of the Making of Eve Clone I video, extending the digital images of da Vinci’s Vitruvian Man and Eve Clone into a real space. The viewer, is invited to put on an MR(Mixed Reality)helmet, will be surprised to find...
  • ... “Culture-Territory-Identity”) https://primopianospecialprojects.com/art-woman-2020/prizes-award/ The six two-dimensional, digital print works Making of Eve Clone Portraits IAR, are extensions of Portrait of Eve Clone and Making of Eve Clone II. They convey...
  • ... is still highly similar with his manuscript keeping signs of computer software which I design that in purpose as contrast of digital file and manuscript document. In the last print of both head and hand, the upper document shows the metallic-colored forming...
  • ...The six two-dimensional, digital print works Making of Eve Clone Portraits IAR, are extensions of Portrait of Eve Clone and Making of Eve Clone II. They convey that the facial proportions and poses of Eve Clone are similar to Leonardo da Vinci’s portrayal of a woman,...
  • ...Making of Eve Clone Portraits IMR is a continuous series of the Making of Eve Clone I video, extending the digital images of da Vinci’s Vitruvian Man and Eve Clone into a real space. The viewer, is invited to put on an MR(Mixed Reality)helmet, will be surprised to find...
  • ... and rings (zero). This reduction is in reference to the basic binary logic of one and zero or ON and OFF which underlies all digital computations. The “Reflections” series culminates a decade of research into the phenomenological nature of visual perception....
  • Which one is true? -
    ... to alternate with the fabricated faces and as the artwork continues to document throughout the exhibition, the process of digitalization raises the question of “which one is true?" in this post-truth era.
  • ...World Stage uses digital representations of global species of butterflies to animate the powerful iconography of worldwide flags. In a time when national, political and social identity has been brought to the forefront of our minds, we are ever more aware of the rich...
  • ... enamel, skin, nails, hair etc.) with recordings of drawings and light-sensitive objects created on their basis. Drawings were digitally processed towards simulating the chemical process called ‘reaction diffusion’ which models (mathematically or visually) the...
  • ... metaphor of an epicurean garden, a dynamic place where logos, speech and dialectics are remodeled with the use of machines. The digital environment serves as the main forum where interactive code-based works like ‘The Oratory Machine‘ (a computer programmed in...