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... could be considered as human values. The neuro-designed shapes, produced by individual visitors, become named and numbered digital 3D models: FREEDOM 0001, FREEDOM 0002… FREEDOM 000X. Each numbered item is an artwork registered on the Blockchain. At the...

... two-hander explores the meeting point of madness and creativity. The Red Horse is Leaving is directed by Kate Digby with digital technology by Mark-David Hosale and incorporating biosensors by Alan Macy, performed by Batdorf and Kate Gordon.

... rods, each with 60 vertically arranged full-colour LED’s (5,160 total). Each LED is a representation of a sensor, a.k.a. Digital Optical Module (DOM), in the South Pole array. A small interactive interface is used to control the work. Spatial sonification...

... perhaps, “Zero City” is a just metaphor that describes human consciousness that left its body and dispersed in the world of digital hierarchies where elevators can carry only emptiness reacting to an outer impulse or standing still in its absence.

...Celeste embodies the idea of the digital unification of different skies in different locations around the world. Through a beacon equipped with the necessary material to capture the image of the sky in real time, the system extracts the colours obtained and combines...

... one configured to start making a visual sweep that is altered by the sound wave. With this material, the sculpture offers a digital abstraction that can be visualized and downloaded at bioma.solimanlopez.com

... collage, now viewers navigate between condensed stations of the storyline using wireless data goggles (HoloLens). Digital holographic miniatures and scenarios unfold, intertwining with the real surroundings. In contrast to the atmosphere of the...

... Clone images. It shows Eve Clone being placed in a test tube. There, she is slowly cultivated, changing from a draft to a digital wireframe and finally a metallic texture, rotating 360 degrees with a hymn playing in the background. She gradually becomes a...

...Highway (Digitally manufactured painting)Artist: Andreas Maria JacobsComment:

... the sea? "Programmed: Rules, Codes, and Choreographies in Art, 1965–2018" is organized by Christiane Paul, Adjunct Curator of Digital Art, and Carol Mancusi-Ungaro, Melva Bucksbaum Associate Director for Conservation and Research, and Clémence White, curatorial...