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CURATORIAL STATEMENT CODeDOC takes a reverse look at 'software art' projects by focusing on and comparing the 'back end' of the code that drives the artwork's 'front end'—the result of the code, be it visuals or a more abstract communication

This project investigates the unexpected diversity to be found on the human ecosystem and its 'social network'; this, by focusing on the language of billions of bacteria, which populate it. Sonja Bäumel tested two subjects each of them left hand

A [hidden] transmission device, using Bluetooth protocols, continually searches for visible and open devices (mobile phones, laptops, PDAs etc) within an area. On discovering an open device, a simple message is sent, reading: “I am still alive”*. I

Fugitive is an interactive artwork which (via a machine vision system) interprets gross bodily movement as an indicator of "mood". The user moves through an impressionistic visual experience based in a digital video database. The question of

In "inter / face" Rokeby continues his exploration of the relationship between the abstract world of language and the physical world of body. The work uses the expressions on the viewer's face as an interface to a responsive virtual world built

... the United States, Italy, Australia, Germany, Finland and Spain. His works have been acquired by public collectors such as the...

“You can only command language by obeying it” (G. Perec & M.Bénabou, P.A.L.F. project, OuLiPo 1964) Dreamlogs are an idea association engine. They propose another way to surf on the Internet, by disentangling the discourses that have interlaced

... are based on a photo taken in Galicia, in the Northwest of Spain, in 1983. Although the source photo is the same in both images,...

The Lagoglyphs are a series of artworks in different media in which Eduardo Kac creates a visual language and form of writing that he describes as "rabbitographic". The series references Kac's project GFP Bunny (2000)—also known as Alba, the green

The Echoes of Ambiguity within Electronic Space - A series of image files produced on a Commodore Amiga computer that were derived from ambiguous compositions of language representation - whilst being abstract yet representational of reality at the