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CODeDOC exhibition
2002
... executed by a com
put
er.
How
ever, there is no digital art... can be executed by a com
put
er.
How
ever, there is no... and at the same time
leave
space for individual forms...
Desert rain
1999
-
2003
... during the conflict and
how
real it all felt (Blast... with the Com
put
er Research Group of the School... clothing and then
leave
, still unaware that some...
EMOTIONS IN SPACE
2014
... each city- source
how
ever, the sound becomes that... into datasets and com
put
erised quantification, that... emotion streams
leave
the earth, carried by the...
EMOTION WINDS
2014
video
... each city- source
how
ever, the sound becomes that... into datasets and com
put
erised quantification, that... emotion streams
leave
the earth, carried by the...
1995/96 Sleeper’s Guts with William Forsythe, Ballet Frankfurt, Video and Set Design Frankfurt, Germany
1995
-
1996
video
... A machine that explains
how
paradox functions. A machine... is a common in com
put
er language If the frame is the... A machine that doesn’t
leave
any stone unturned. A machine...
GENMA
1996
-
1997
video
... experiments and learn
how
to create complex forms out... in front of him. By
put
ting his hands into the glass...
There`s no Simulation like Home
1999
-
1999
... we expect from a mirror,
put
ting the notion of the real...
conFIGURING the Cave
1997
-
1997
... At the same time it
put
s that tradition in a...
Art Impact, Collective Retinal Memory
2000
-
2000
... the journey of the look.
How
ever difficult it is to follow... track that the visitor
leave
s behind. In every place...
A Sense of Place
1998
-
1998
... front of), the program s
how
s a matrix schemata s
how
ing the... by s
how
ing itself (
put
ting sections of the image into...
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