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... waiting areas, and security checkpoints. Simulation controls affect the simulation globally, including a terror alert level control that allows the manager to plan for different emergency alert levels as defined by the United States Department of...

... in Heavens Gate, with their tromp l'oeil perspectival manipulations of form and space, is hereby extended by a further level of optical illusionism. At the same time this strategy of representation engages itself to the contemporary technologies of...

... immersed into the actual space of a tiny articulated interactive electronic peep show. A stainless steel box placed at eye level with movable periscopic viewing device bridges the viewer into a voyeur in a miniature bedroom scene. Within this room are...

... plate is 3 meters wide, by 1.50 meter long by 4 millimeters thick. All plates are raised 12 centimeters high from the floor level, by 1800 steel springs. Imagine walking on a 70 meters long, jelly mirror-like carpet. Each step taken on it produces local and...

... the archive consists mostly of commercial postcards selected out of 2000 to represent 20th century culture. The second level consisted of the evaluation of these images encoded through keywords and cross-listed through a database to maximize movement...

... changes in light or positioning of the modules influence their movements and sounds. The energy is reduced just to the level, at which something happens in the installation. This insufficient supply of energy however guarantees the modules’ unstable...

... a kind of force field of noise and activity around each visitor. As the number of participants increases, the general level of cacophony rises, creating a wildly complex symphony of machines, sounds and projections. Interaction ranges from a sense of...

... hats are attached via a multitude of black rods to each robotic structure so that the hats hang in midair at roughly eye level with the observer. This arrangement alludes to an invisible human presence directly below each hat, and this allusion to...

... to the government quarter of St Pölten. Three vertical light beams are mounted on two walls in the entrance area at eye level. Each of the bars, changing at intervals of 15 minutes, reproduces a single word, forming several words that are successively...

... to improve the world, the artist highlights with humour and mockery its paradoxical twists, thus attempting to raise our level of consciousness.