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... and rings (zero). This reduction is in reference to the basic binary logic of one and zero or ON and OFF which underlies all digital computations. The “Reflections” series culminates a decade of research into the phenomenological nature of visual perception....

... to alternate with the fabricated faces and as the artwork continues to document throughout the exhibition, the process of digitalization raises the question of “which one is true?" in this post-truth era.

... in their presentation. Using a tool for computer-based perception of reality (augmented reality) the artists place another digital layer over the two-dimensional picture of the real exhibitional space and point once again to the complexity of vision: The...

... landscapes and still lifes, today, those very shapes are basic repertory within common 3D- computer programs for generating digital worlds. At the same time the parametrical primitives, who have not yet been rendered into an output format, show their...

... for instance, the object and its value. This relationship does not exist anymore since the introduction of the immaterial digital. Today, we do not stand in a factory; we do not live in a world made only of solid objects. All products have a life starting...

... an acute question about the relation between thought and matter, work and art, assessment and control, as keys in our newly digitally enhanced power on the physical world. The project narrates a new relationship between humans and machine. It raises...

... could be considered as human values. The neuro-designed shapes, produced by individual visitors, become named and numbered digital 3D models: FREEDOM 0001, FREEDOM 0002… FREEDOM 000X. Each numbered item is an artwork registered on the Blockchain. At the...

... two-hander explores the meeting point of madness and creativity. The Red Horse is Leaving is directed by Kate Digby with digital technology by Mark-David Hosale and incorporating biosensors by Alan Macy, performed by Batdorf and Kate Gordon.

... rods, each with 60 vertically arranged full-colour LED’s (5,160 total). Each LED is a representation of a sensor, a.k.a. Digital Optical Module (DOM), in the South Pole array. A small interactive interface is used to control the work. Spatial sonification...

... perhaps, “Zero City” is a just metaphor that describes human consciousness that left its body and dispersed in the world of digital hierarchies where elevators can carry only emptiness reacting to an outer impulse or standing still in its absence.