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  • ...Visitors inhabit a dome-space where they move, communicate and... they move, communicate and interplay with performers. An... Visitors inhabit a dome-space where they move, communicate and... heterogeneous forms of presences generated by capture...
  • ...e audience is elevated and observes the stage from a low angle, as in... The audience is elevated and observes the stage from a low angle, as... e audience is elevated and observes the stage from a low angle, as in...
  • ... body as an interface to the media environment.... Performer's outfit and scenic environment are... body as an interface to the media environment....
  • ... simultaneously staged in the street and in the theater.... staged in the street and in the theater. The public... simultaneously staged in the street and in the theater....
  • ... environment. Their movement data control... cameras, microphones, and architectural projections of... environment. Their movement data control...
  • ...How can we see that the lively dancer on stage is on her way to be... production of Orpheus and Eurydike How can we see that the lively dancer on stage is on her way to be...
  • ... and live - according to the varying position, direction... In Timo Kahlen's interactive film and sound projections, 21 works of... and live - according to the varying position, direction...
  • ... and live - according to the varying position, direction... In Timo Kahlen's interactive film and sound projections, 21 works of... and live - according to the varying position, direction...
  • Timo Kahlen: UR, 2006 -
    ... and live - according to the varying position, direction... In Timo Kahlen's interactive film and sound projections, 21 works of... and live - according to the varying position, direction...
  • ... and live - according to the varying position, direction... In Timo Kahlen's interactive film and sound projections, 21 works of... and live - according to the varying position, direction...