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Seeing You In My Dreams
2000
-
2000
... almost never think of it. Our
live
s are transformed to data in...
Surface Drawing
1997
-
2002
Experiments in creating 3D shape with the hand, conducted with Peter Schröder at Caltech, 1997-2002. (source: http://www.schkolne.com/)
Tongues of Fire
2004
-
2004
Film recordings of vibrating flames represent the articulations of speech, based on 19th century manometric flame devices. (source: www.well.com/~demarini)
Simulated Social Model (sensoric detection)
2004
-
2004
... almost never think of it. Our
live
s are transformed to data in...
Visions of Hildegard, C
2000
en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
The Diamond Lake Apocalypse. Pathway
1993
11. Diamond Lake Apocalypse, Pathway, 1993 22" by 30" Pen plotted drawing. 12. Diamond Lake Apocalypse, Burning Bush, 2000 23" by 29" Pen plotted drawing. 13. Diamond Lake Apocalypse, Canon I, 1999 23" by 29" Pen plotted drawing.
Canticle to the Sun IV
1996
32. Canticle to the Sun IV, 1996 20" by 15"" Pen plotted drawing. In 1966 the artist painted a large eight-foot by four-foot wooden panel as a "Canticle to the Sun". That work, celebrating the sun, incorporated text from the sun canticle
Nothing Remains the Same (Sensoric Organ)
2004
-
2004
Influence, change and transformation are keywords in Peter Hagdahls ¦uvre. In 1992 Andréhn-Schiptjenko showed the installation Sustained where sculpture, painting, drawing, snapshots, paperclippings and a powerengine created a system ranging from
Bicycle TV
BICYCLE TV is a rider controlled real-time video tour of a scenic landscape in the Canadian countryside. This interactive installation consists of a 1950's style bicycle with a colour monitor (mounted in front of the bicycle facing the
Gaia E VIII
1995
10. Gaia E VIII, 1995. Paper Size: 30" by 22" Pen plotter drawing. Familial Resemblance. The software procedure generates a "family" of forms with a strong familial resemblance. These works resemble each other because they were created
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