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  • New Transmediale director Kristoffer Gansing censors "offensive AR art." The 2012 Transmediale stood under the theme "in/compatible," celebrating 25 years of art interventions and proclaiming in the curatorial statement that: "Contrary to the fear
  • This interview was made for the exhibit „Not There“ at the Sabanci University Kasa Gallery, as part of ISEA2006 show UNCONTAINED - an official parallel exhibit to the 2011 Istanbul Biennial. "Not There" is an exhibition of artworks from the
  • The Search Drive (2014) is a video work in which some of the same software programs utilized by the NSA to spy on Americans and foreign nationals, residing in America and abroad, are used by an autonomous agent to search through the web for personal
  • NSA-USA takes as it point of departure the recent citizen spying scandal emanating from the activities of the National Security Agency. Both American and citizens outside the United States were surveilled and there is disagreement as to the whether
  • SKOR | Foundation for Art and Public Domain Two neon signs are superimposed one upon the other. One in green says "Resistance is Fertile", while another one in red says "Resis tance is Futile". When one sign is lit, the other statement is quiescent.
  • Brainwash - video
    In Brainwash the actor and audience watch the turning of a black and white striped drum. This drum is both an early cinematic zoetrope and a diagnostic neurological tool. Certain individuals suffer from cerebellar tumors and strokes leading to a
  • Bad Reception displays an ever changing stream of news related imagery which juxtaposition causes a fluctuating degree of interference. It was originally created for the Terror show at wooloo.org in 2004.
  • netomat is a web browser that takes visitors for a ride into an unexplored internet. Unlike traditional web browsers, which retrieve only predefined web content and rely on the model of the page, netomat engages a different internet -- one that is
  • Snow Globe was the official email announcement for the Whitney Museum's BitStreams and Data Dynamics show, which ran from March 22 through June 10, 2001. It was a microsite in form of an animated snow globe containing information about the show and
  • This was an improvisation performance with digital projections and live video, with script written by Esteban Ulrich. The software Moldeo was used to generate the real-time visuals, and I contributed with some of the programming. It took place at