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Specious Dialogue (I, II, III)
2007
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2007
Specious Dialogue is a playful exploration of conversation. The work comprises two cubic sculptures mounted on casters, one black and one white, house battery-powered tiny cameras, as well as wireless recording and playback systems. These can be
Ototoxicity
2012
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2012
... piece of work can h
old
and convey a number of...
The Observatories
2009
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2009
The Observatories asked: What techniques make us feel those fight-or-flight or must-buy-it-now urges? It also demonstrated how easy it is to manipulate people through subconscious smell. In standalone structures in the centre of Milton Keynes,
In Particular
2009
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2009
Nanoparticles are already in daily use, for example, enhancing the functionality of sun creams and sticking plasters. Meanwhile, work is underway to develop revolutionary, futuristic advances – such as tiny machines that can zip around our
Lepidopteral
2012
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2012
Lepidopteral explores the subtlety and gentleness of elements in nature, without direct reference to, or use of, biological materials. The work was inspired by an experience at Lago di Fiastra in Le Marché region of Italy, where butterflies had
Drawing by Numbers
2014
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2014
Drawing by Numbers demonstrates the conversion process from an analogue life drawing to a digital drawing described in code. At a workshop at the Media Space in the Science Museum, London, participants could scan a recently completed life drawing
In Sound Mind
2006
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2006
Human brains can subtract unwanted sense data – including sound – from the environment when we focus attention. The rest of the information is still being processed; it’s just attenuated, pushed to the background. In Sound Mind explores this
Dogs' Ears
2009
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2009
Dogs’ Ears explored the beauty and language of the dog ear. Presented as a video chat website, visitors logged in, browsed dogs and instant messaged with them online. Each dog responded in its own language, whether with an English ‘woof woof’, a
Bird & the Moon
2011
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2011
Bird & the Moon explores the representation of environmental data by incorporating nature back into the loop – making the live data feed back into a system that aesthetically links us back to the natural world. The work includes a seasonal affective
The Time Machine that is Landscape
2006
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2006
... to life. Julie
Free
man’s environmental field...
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