Archive Search

... rods, each with 60 vertically arranged full-colour LED’s (5,160 total). Each LED is a representation of a sensor, a.k.a. Digital Optical Module (DOM), in the South Pole array. A small interactive interface is used to control the work. Spatial sonification...

... was conceived on the basis of computer-modified microscopic images of particles of the artist’s body by inverse fast Fourier digital transformation (IFFT), with the help of computer programmes used in microscopy. This is why the fragments of micro structures,...

... homunculus refers to a series of algorithmically derived sculptural bodies (homunculi) built as part of a file-to-factory digital fabrication process that involved generative modelling, CNC milling, and casting of a fibre-composite exoskeleton in the York...

...video 6,’42 Images of material objects (sculptures by Alen Ožbolt) are digitally processed and projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass and gravity.

... and transience. Video combines recordings of kinetic light spectacles (produced by Berlot’s light-kinetic works) and 3D digital renderings of those same light patterns (Kuljiš). - Uršula Berlot, 2019

... the track Cast to the Bottom from the album The Great Crater by Scanner (Glacial Movements, 2017). Composed of landscape 3d digital simulation and digitally processed video recordings, the video shows a virtual journey through an imaginary underwater...

...Diptych: laser-cut and digital print on plexiglass dim: 200 x 135 cm The hanging objects present microscopic image of a carbon substance (up) and its digital mapping (transcription) into a reciprocal space (down) by the use of digital fast Fourier transformation (FFT)....

... similarity) and from this perspective represent polymorphic imprints of this particular sameness. The procedure involved in digital mapping and spatial projections, which shape the transformations of the same motif, metaphorically address questions of...

... in the surface of a cristal-like object is based on the photographs of magnetic fluids that served as the basis for digital model development and the resulting 3D printed reliefs. In the act of viewing the framed panorama in the static position, the...

... to the immaterial. The ferrofluid structures, which are in reality only a few centimeters in height, being transposed into a digital environment operate as macro-scale phenomena that simulate characteristics of the organic, the animate. Fluid topography acts...