Archive Search

...The YOUbiläums Browser (kots.nu/mzedck). The history of the ZKM between 1997 and 2007 becomes a space pervading interface: by means of the Linear Navigator designed by Jeffrey Shaw in 1999, the visitors are able to call up video documentation on selected exhibitions...

... So servers, hidden and jealously protected, continuously working far away from our eyes (and ears). Actually it’s a noisy space, dominated by strong winds of the cooling fans perpetually turned on that overwhelm any other sound. But if we listen to...

...Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and dimmers. Scenes and...

... a 'data body' - information submitted by visitors on their entry to the gallery and as they progress through the space. In the installation, up to twelve players will be able to fly their avatars through the gallery’s large central atrium, while...

... appears to be unrelated to the dancer's presence. Wireless photoelectric sensors distributed throughout the performance space measure the changes of light in the environment. Additionally, Schumacher himself wears several acceleration sensors which also...

... is composed by 4 computing units with graphics input/output capabilities, including projection screens. We offer the space of Caves to provide ways of being amplified by interfaces which place us into aesthetic experiences inside interstitial zones,...

... are based on deriving depth information from stereoscopic pairs of images, then turning the 2D pixels into 3D "points in space." These are like 3D computer models in that arbitrary viewpoints can be displayed (often revealing "occlusions," or areas of...

... to think through these questions for ourselves. With the aid of our senses, we dive into a playful environment in virtual space while our bodies remain in the real.

...Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and dimmers. Scenes and...

... artists concerning the technologies used. They will be selected accordind to their abilities to take into account the space in which they work. Art After Museum is not COMPUTER ART. Computer technology is merely one of the conditions whereby such...